"LIGHTING DESIGNS FOR THEMED ENTERTAINMENT"

Magic Church

Magic Church SantaLand Harbor Point

Prague 3.jpg (18095 bytes)The Magic Church, located just off of Old Town Square in the heart of Prague, The Czech Republic is an attraction designed by ITEC Productions and built inside a church dating from the 11th century.  Two distinct levels inside the church hold two very different, but thematically linked, types of historical attractions.

Prague 2.jpg (23380 bytes)The lower level of the church is a walk-through style attraction depicting scenes from the work of Franz Kafka.  12 scenes taken either straight out of Kafka's literature or inspired by his works are recreated with scenery, sound and light.  Guests experience this world by immersing themselves within the scene.  Each room and scene is very intimate, so the lights, scenery, and sound combine to form an environment surrounding the guests and pulling them in.  The intention of the walk-through portion of the attraction is to give guests a taste of the world of Franz Kafka, while making them think and ask questions about what they have seen.  This is not a Disney style, entertainment only, attraction.  All scenes were lit entirely by theatrical fixtures and in an extreme theatrical style.  

Prague 4.jpg (29060 bytes)The upper level of the church, the former sanctuary, consists of a large video-projection experience where lighting, sound, projections, and special effects are used to pull the video experience off the screen and directly involve the audience.  The video is a 16 minute documentary, following the history of Prague from it's earliest days through it's current rebirth after the influence of the Soviet Union.  In order to bring the video off the screen and involve the audience more deeply in the film, lighting and projection effects are used to place images and effects throughout the room.  When lightning is seen on screen, lightning appears in the room.  Prague 1.jpg (36995 bytes)When the screen shows a conceptual image of Prague as visualized by the early city planners, the walls of the interior of the church become a projection surface covered with drawings and plans.  When flames start at the bottom of the screen to engulf a man tied to a stake, projected flames come off the screen and engulfed the audience as well.  The entire attraction made heavy use of theatrical styles such as these, and relied heavily upon the lighting to create the ultimate immersive experience for the audience. 

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